Narratives of Power and Violence: Examining Gender Dynamics in Aattam and Papilio Buddha

This research paper examines the portrayal of gender-based violence (GBV) in the films "Aattam" and "Papilio Buddha" within the context of social learning and gender dynamics. Specifically, it examines how these films depict GBV within male-dominated groups and their impact on audiences, highlighting learned behaviours and power structures that perpetuate gender oppression. The importance of this work is that it aims to reveal the deeper structures that make GBV possible and the ideologies that geopolitically legitimise its existence. The research problem addresses how media representations influence audience perceptions and perpetuate harmful behaviours. The hypothesis states that "Aattam" and "Papilio Buddha" effectively critique and expose the toxic masculinity and socioeconomic conditions contributing to GBV, while prompting viewers to reflect on these issues critically. This qualitative study employs content analysis and psychoanalytic theory to deconstruct the films' narratives and visual elements, revealing the underlying power dynamics. Findings indicate that both films successfully raise awareness about GBV and encourage critical reflection on gender and power structures. The impact of this research underscores the potential of cinema as a medium for social change, highlighting the need for continued exploration of media’s role in shaping and challenging societal norms.

Keywords:Gender-based Violence, Narratives, Power, Social Learning, Gender Dynamics, Violence, Aattam, Papilio Budha