Unveiling Patriarchy: Gender-Based Violence in Budhan Theatre’s Choli ke Piche Kya Hain

This paper examines the play Choli ke Piche Kya Hain, produced by Budhan Theatre, as a powerful commentary on gender-based violence and the objectification of women. Through its evocative title and bold performances, the play confronts the deep-seated patriarchy that governs societal attitudes toward women’s bodies, dignity, and autonomy. Set against the backdrop of India’s Denotified Tribes (DNTs) and based on the short story Stanadayini (Breast-giver) by Mahasweta Devi, the play not only reflects the struggles of marginalised communities but also sheds light on the intersectionality of caste, class, and gender in perpetuating violence against women. This paper analyses how Choli ke Piche Kya Hain critiques misogyny, exploring themes of exploitation, shame, and the fight for women’s agency. It also discusses the unique ways in which Budhan Theatre’s approach to street theatre amplifies the voices of women within the community, turning their lived experiences into a potent form of resistance against gender oppression. By highlighting the intersectional nature of violence and discrimination, this paper underscores the role of Choli ke Piche Kya Hain as a tool for awareness and change, engaging audiences in a critical dialogue on the urgent issue of gender-based violence.

Keywords: Patriarchy, Violence, Intersectionality, Performance, Identity.